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Sarah is a PhD student in Screen Cultures and Curatorial Studies. Her SSHRC-funded dissertation takes up the figure of the serial killer as a discursive construction key to establishing and securing interconnected categories of criminality, deviance, and identity in the popular imagination throughout the 20th century. Her other research interests include monstrosity, true crime, and horror media. 

Published Work:

“.” The Neutral 3 (2024) 

(With Dan Vena), “.” Crime Fiction Studies 3, no. 1 (2022) 

(With Dan Vena and Iris Robinson) “His Canon, Herself: Teaching Horror as Feminist Cinema,” in Bloody Women! Women Directors of Horror, edited by Victoria McCollum and Aislinn Clarke. Rowman & Littlefield, 2022. 

“.” The Scattered Pelican 7 (2021). 

“” Jump Cut 60 (2021). 

of David McGowan’s Animated Personalities: Cartoon Characters and Stardom in American Theatrical Shorts. Synoptique: An Online Journal of Film and Media Studies 9, no. 1 (2020). 

Read Sarah's other contributions to Magazine!