Gauvin Bailey's new book: a close look at imperialist architecture
Prof. Gauvin Bailey's latest book, (McGill-¾ÅÐãÖ±²¥ Press) is available starting in July 2022.
Prof. Gauvin Bailey's latest book, (McGill-¾ÅÐãÖ±²¥ Press) is available starting in July 2022.
Start Date
Friday January 28, 2022End Date
Saturday January 29, 2022Time
10:00 am - 4:30 pmLocation
OnlineOn the theme of "Art and the Anthropocene", the Graduate Visual Culture Association's annual Context & Meaning conference is set for January 28-29, 2022. This year's keynote speaker is Dr. Kirsty Robertson, ¾ÅÐãÖ±²¥ alumna and Professor of Contemporary Art and Director of Museum and Curatorial Studies at Western University. Dr. Robertson will give a talk on Friday, January 29 at 5pm.
Registration, conference program, and pre-discussion presentations are available at the .
Start Date
Tuesday June 14, 2022End Date
Thursday June 16, 2022Time
8:15 am - 1:00 pmLocation
via ZoomThis virtual conference is designed to allow international educators in the field of Cultural Heritage Science to showcase innovative teaching strategies, case studies, and laboratory exercises that they have found to be successful in their teaching, breaking boundaries in making science more relevant to students. The Final Program (5MB) is now available and includes the conference schedule, the abstracts of the eight speakers, and the titles for the poster presenters.
The conference is intended to elicit module contributions for the web-based resource Conservation Science Education Online (CSEO). Educators in different international locations have unique teaching challenges and therefore the educational materials need to be relevant and adaptable. Participants will present modules based on their unique methodologies for conveying complex topics to students. Attendees would then join the presenters for discussion and provide suggestions on how to improve modules prior to submission.
The conference will include pre-recorded presentations from both invited speakers and poster presenters, as well as the posters themselves. This material should be viewed before the conference, as the live sessions will be devoted to discussions of the invited talks and posters.
Posters for the conference are available for download.
(all times are listed in ET)
Day 1 (June 14)
Day 2 (June 15)
Day 3 (June 16)
The deadline for registering to attend the conference is June 1. There are no conference registration fees. If you wish to attend the conference, please register by emailing your name, title, affiliation, position, and if willing, your area of teaching in the field of Cultural Heritage to: CSEO@queensu.ca.
The conference participants registered so far come from around the world, as shown by the following map.
Conference is graciously sponsored by and the Department of Art History & Art Conservation, Queen’s University.
Technology provided by the Smith School of Business.
Ph.D. Candidate
Art History Program
Major fields of interest: Late medieval and Early Modern sculptures from southern Italy; miracle-working images and image cults; sacred and devotional rituals; art and agency.
Graduate experience: M.A. in Art History, ¾ÅÐãÖ±²¥ (2023). Major Research Paper: The Smiling Madonna of the South: A case study on the Madonna del Sorriso and modern forms of devotion in Roccavivara, Italy.
Undergraduate experience: Concordia University, B.F.A in Art History & Studio Arts (2021); Concordia University, B.A in Western Society and Culture (2018).
Supervisor: Dr. Una D'Elia
Date
Saturday February 5, 2022Location
Emy Kim, Assistant Professor, Artifacts Conservation, leads a Zoom talk on art conservation, presented by the Agnes Etherington Art Centre. Her talk focuses on the role of a museum conservator, conservation training, ethics, and more. Admission is free with registration.
Associate Professor Matthew Reeve is a joint recipient of a Historians of British Art Book Award for Exemplary Scholarship on the Period between 1600-1800 with his book, . Kate Fullagar also received an Award for her The Warrior, the Voyager, and the Artist: Three Lives in an Age of Empire.
Ph.D. Candidate
Art History Program
Major Fields of Interest: Nineteenth- and twentieth-century Indigenous art, history of Northern Ontario, craft in Canada, material culture.
Undergraduate Experience: B.Ed. (Concurrent Education), Intermediate and Senior Divisions (2018); B.A. Honours, major in History (2017); ¾ÅÐãÖ±²¥.
Graduate Experience: M.A. Art History (2020); Queen’s University.
M.A. Thesis Topic: Decoys to Decorations: The Transformation of the Moose Factory Art Market.
Supervisor: Dr. Norman Vorano
Ph.D. Candidate
Art History Program
Major Fields of Interest: Twentieth-century visual culture; art and design in the German-speaking world; fashion studies; material culture; illustration studies.
Undergraduate Experience: Carthage College, BA, majors: German and Studio Art, minor: Art History (2016)
Graduate Experience: University of Toronto, MA, Art History (2020)
PhD thesis: “Masculine Fashion Culture in Post-war Germany: Reconstructing the Ideal Man through Illustrationâ€
Supervisor: Dr. Allison Morehead and Dr. Elizabeth Otto (University at Buffalo)
Ph.D. Candidate
Art History Program
Major Fields of Interest: Symbolism, Expressionism, Modernism, 19th century print culture and postermania, avant-gardism, and curatorial practice. 
Undergraduate Experience:  B.A. Art History, University of Calgary.
Graduate Experience:  M.A. Art History, University of Toronto.
Dissertation Topic: Visual Representations of Eschatological Fears and Millenarian Anxieties in Europe and North America from the late 19th to the early 20th century.
Supervisor: Dr. Allison Morehead
Ph.D. Candidate
Art History Program
Major Fields of Interest: global modernisms, feminisms, curatorial practice, institutional critique, print culture.
Undergraduate Experience: University of Toronto, B.A. (Honours), Major in Art History, Major in History (2007)
Graduate Experience: University of Victoria, M.A., Art History (2010)
Supervisor: Dr. Allison Morehead